EDUCATION

Ph.D.  Educational psychology/Feminist technoscience; University of Illinois at Urbana-Champaign, 2010

M.F.A. Fine Arts, School of Visual Arts; New York, NY, 1991

M.F.A. Costume Design, Boston University, MA, 1975

B.S.     Fashion & textile design, University of Connecticut, Storrs, 1972

EXHIBITIONS

2026   

• Every Woman Biennial, “Spectalia,” Pen & Brush Gallery, NYC (upcoming)
• NOMAA, Women in the Heights: Shade, NYC (upcoming)

2025   

• NOMAA Gallery, Sustenance+Survival, New York, NY

2024 

• Equity Gallery, GREEN: Monsters, Money, Lust, Luck and Lucifer; curators: Alexandra Brock, Patricia Fabricant, & Christina Massey; New York, NY
• Woodstock Artists Association & Museum & New York Artists Equity Association, Woodstock, NY

2023  

• 440 Gallery, Mapping, curator: Maddy Rosenberg; Brooklyn, NY
• Dododmu Gallery, Color Field: Blue; NYC/online

2022  

• Collar Works Flat Files, Troy, NY
• A Queens Fine Art Spring Affair; Plaxall Gallery, Long Island City, NY 

2021  

• M. David & Co. & Truro Center for the Arts at Castle Hill
• Gallery 118; Eco Echo; online; New York, NY
• Truro Center for the Arts, New Narrative; Castle Hill, MA

2020   

• Ethan Cohen Kube, Beacon, NY. Darkest Before Dawn: Art in a Time of Uncertainty
• Queens Library/Queens Memory project, Artists Navigating 2020
• Deanna Evans Projects, flat file, New York, NY
• New Society Art Gallery, The Phenomena of Natural Phenomena Pt II
• Pelham Art Center, NY and Ely Center of Contemporary Art, USPS Art Project, collaboration with Carole D’Inverno
• LiC-A Spring 2020 Exhibition

2019  

• Objects and objectivities: Convergences in epistemic divergence, Advanced Science Research Center at the Graduate Center, City University of NY

2018  

• Con Artists Collective, Not a Thing II, New York, NY
• Con Artists Collective, Strek(t)sher, New York, NY

2017  

• Con Artists Collective, The Divided States of America, New York, NY

2014  

• Chashama 457 Gallery, Intersectional Journeys, New York, NY (solo)

2013  

• Schema Projects, Beasts & Bodies, Brooklyn, NY
• Neighboring Walls, From Now On, Bedford-Stuyvesant, NY

2001  

• FACES – Stuttgart Filmwinter; Stuttgart, Germany

2000  

• F.I.L.E (Festival International de Linguagem Eletronica); Museum of Image and Sound, Sao Paulo, Brazil
• Siggraph, VRML-Art gallery; New Orleans, LA
• Web 3D Conference, VRML Art Gallery; Monterey, CA

1999  

• SEAFair '99; Interactive/Online/Vrml Art; Skopie, Yugoslavia
• VRML.ART Gallery, Heinz Nixdorf Museum, Paderborn, Germany
• EMAF (European Media Art Festival), Osnabrueck, Germany

1996   

• Puck Gallery, Digital Art & Animation, NYC

1995  

• Walt Whitman Cultural Center, Book of Icons and Other Digital Addictions, Camden, NJ

1994  

• Marymount Manhattan College Gallery, Rectangles & Interiors, New York, NY

1993  

• Tribeca Lab, Boxes/ Books, Kate Brown, Curator, New York, NY (solo)

1992  

• Tribeca Lab, Toyz, Kate Brown, Curator, New York, NY
• New York University, Small Works, Arnold Glimcher, curator, New York, NY

1991   

• School of Visual Arts Gallery, Abstracting, Will Insley, curator, New York, NY
• School of Visual Arts Gallery, Selections, Mary Delahoyd, curator, New York, NY

1987  

• Open Studios, Brooklyn Waterfront Artists Coalition, Brooklyn, NY
• Cere’s Gallery, The Political as Personal, New York, NY

1986  

• Cere’s Gallery, Women of Power, New York, NY
• Temporary Edge Gallery, Brooklyn Waterfront Artists, Spring Show, Brooklyn, NY
• Lincoln Center for the Performing Arts, NYC

GRANTS

• 2025-2026 PSC & Research Foundation of CUNY; Witnesses to the Capitalocene
• 2024-2025 PSC & Research Foundation of CUNY; Ten minutes to midnight
• 2023-2024 PSC & Research Foundation of CUNY; Cosmologies of many minds
• 2022-2023 PSC & Research Foundation of CUNY; Should the octopus fly over the moon?
• 2021-2022  PSC & Research Foundation of CUNY; Oceans Rise and Empires Fall: Intelligence & Consciousness amidst their Decoupling in the Anthropocene
• 2020-2021 PSC & Research Foundation of CUNY; A Gaia Hypothesis: Landscapes of the Anthropocene
• 2019-2020  PSC & Research Foundation of CUNY; Epigenetic Landscapes of a Biotechnical Sublime
• 2018-2019  PSC & Research Foundation of CUNY; Between Dystopia and the Sublime
• 2014  Chashama Foundation (exhibition support funds): Intersectional Journeys

RESIDENCIES

2020-2O21 M. David Yellow Chair Salon and Truro Center for the Arts, summer, fall, winter sessions

CURATOR

2019  Objects and objectivities: Convergences in epistemic divergence, Advanced Science Research Center, City University of New York. Artists-scientists include Linda Vigdor; Ye He, PhD, neuroscience; Andrew Reinmann, PhD, environmental science

1994  Marymount Manhattan College Gallery, Rectangles & Interiors, New York, NY. Artists include Julia Haywood, Steve DeFrank, Yoshi Shirakawa, Linda Vigdor

CATALOGUES, ARTICLES, & BIBLIOGRAPHY  

• 2021   “In Their Spare Time, They’re Writing Novels, Working on Paintings, and Performing Ballet: The Surprising Sidelines of Graduate Center Professors and Administrators,” Graduate Center, CUNY
• 2019  “The Soul of the New Machines, Part Two,” Ann Landi; May 6, 2019, Features; https://vasari21.com/the-soul-of-the-new-machines-part-two/
• 2003  Kathy Rae Huffman, Reader: Lab3D and Web3D Art, http://www.subtle.net/pdf/Lab3DWed3Dreader.pdf
• 2002  Flanagan, M. “Hyperbodies, hyperknowledge: Women in games, women in cyberpunk, and strategies of resistance.” In M. Flanagan & A. Booth (Eds.), Reload: Rethinking women +cyberculture (pp. 425-454). Cambridge, MA: MIT Press.
• 2001  Kathy Rae Huffman. 3D Grrls: a selection of 3D websites by women. http://www.wand5.de/fiwi2001/xml/kathy.html
• 1995  In Three Dimensions: Women Sculptors of the 90’s, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY. Curator, Charlotte Streifer Rubinstein
• Sylvia Westerman Collection, Jerome Lawrence and Robert E. Lee Theater Research Institute at The Ohio University, Columbus, OH
• The Book of Icons and Other Digital Addictions, Walt Whitman Cultural Center